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    Home»How-To»Netflix’s new zombie films ’28 years after’ and ‘The Ride’ are the morad love child – and it is as intense as it seems
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    Netflix’s new zombie films ’28 years after’ and ‘The Ride’ are the morad love child – and it is as intense as it seems

    PineapplesUpdateBy PineapplesUpdateJuly 11, 2025No Comments6 Mins Read
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    Netflix’s new zombie films ’28 years after’ and ‘The Ride’ are the morad love child – and it is as intense as it seems
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    Streaming Netflix’s new action-hurry ‘Ziam’ has taught me something about myself: I can forgive a lot of story Clich when a film gives me a chance to see a martial artist Roundhouse-Kick A Zombie.

    It is difficult that the forecast conspiracy is hung on the overrection on the clich of the style, when “Ziam” also includes some of the most exciting zombie beetdowns that I have ever seen.

    Playing like a mixture between “28 years later” and “The Red”, this new Netflix thrives because it understands what its main audience wants to see: cruel zombie destruction over everyone.

    You may like

    My part desire “Ziam” its severely well choreographed carnez can be combined with more compelling artists and a story of the characters who act more than window dressing between acute action scenes, but what we got is still pleasant.

    If you are an ordinary man like me, and “East may not oppose the lift pitch by defeating the snot out of the Thai fighter the walking dead”, you would like to get this new Netflix film on your Walkist Press.

    But if you need more details, then there is a full scoop on “Xiam”.

    What is ‘Ziam’?

    Set in a serious future, where society is on the verge of collapse due to severe food shortage and declining resources, lion (Prin Suparat) is a former professional fighter, now struggling to finish and provide for its girlfriend, rin (nychaa-nuttanicha dungwattanawanich), which works in an overschroid hospital.

    Two dystopians dream of escaping from the city, but these plans are caught when Rin’s hospital becomes a subcatendra for a zombie outbreak. The lion reaches the spot and climbs a dangerous mission, allowing him ultra-invasive zombie to save the rin.

    By the way, he meets a young boy, a large (Vayla-Vaivala Bonyithipasit), and adds this orphan child to the list of people he is firm to save at all costs. With a crowd of corpse on his way, Singh should use his maya Thai skills to close the Savage Murray and escape from the hospital from hell.

    ‘Ziam’ takes a roundhouse kick for zombie style

    Nuttanicha dungwattanawanich in rin

    (Image Credit: Netflix)

    “Ziam’s” USP is very simple. In most zombie films, the main actors of the remaining people closed the crowd with firearms and perhaps a blunt equipment or two, but here our heroes go seriously and individually with their flesh-smoking enemies.

    It turns out that you do not require an automatic assault rifle when your handful can get enough power to send the walking dead to Helscape from where they produced.

    And if the controversy against the corpse is not enough, then the second half of the action-hurry film cracks the skull of some (a little) more intelligent enemies, ie a squad of the armed police tried to remove a high-value executive.

    A running zombie in

    (Image Credit: Netflix)

    Netflix marketing materials The film is eager to emphasize the use of its practical effects and the fact that the nameless actors of the corpse were made with complex makeup, not with CGI, and it helps to add intensity to the intensity well. Each blood covered with blood, grown, zombie face looks disgusting from the mind, and the violence of the intestine can often be sufficient to turn your stomach.

    I especially enjoyed “Ziam’s” Balls-to-the-Wall Third Act, a good deal of the first half is dedicated to visual-setting, and offers the main players. But once it all goes out, the massacre takes the center step, and it is here that the “ziam” shines.

    The final performance on the roof of bathing in the morning sun is particularly memorable and brings action for a fitting (or at least, it seems satisfactory until a mid-credit ruins the final stinger emotional stakes).

    Prince Superts as Leo

    (Image Credit: Netflix)

    Where “Ziam” stumbles how strictly it clings to the classic zombie formula. The lion takes the young friend as a kind of ward, protects it at all costs, and even suggests that they can adopt it after this madness is over. It is not at all groundbreaking items for style.

    This spirit of “there is seen” has been extended to the overroach theme of the film, which is being exploited by the regular people. It is most seen in the inclusion of smarma executive, which is considered eligible to be removed, even if it means to endanger more lives. Meanwhile, everyday citizens are considered to be spent and slightly higher than Zombie Chow.

    Prince Superts as Leo

    (Image Credit: Netflix)

    In addition, a scene where the army argued on the scorched earth solution to bomb the hospital to prevent the zombie virus from spreading further, whether it is lost life, does not crack with moral complexity. Instead, it feels paint-by-numbers in pain, almost involved out of obligation.

    Of course, I am not sure that “Ziam” is actually worried about flipping the well-worn zombie-movie script on your head. When the focus occurs on cruel controversies, the flying punches at the speed of meat and bullets on the fire, the film is quite a thrilling ride. Just does not look for more than a gorfest.

    Now stream ‘Ziam’ on Netflix

    Prince Superts as Leo

    (Image Credit: Netflix)

    If you come to “Ziam” with correct hope, it is very possible to enjoy this very bloody action-hurry on your terms.

    A zippy 90 minutes long time, the film does not exceed its welcome, and while the first acting story does a small work of heavy-lifting, once the outbreak starts, the genocide stops, and from here, the “ziyam” is solid, but inattentively mindless, fun, fun.

    Without the desire to heroic in the spiler, the finish stinger leaves things on a bum -note, with a final last scene, which gives a little logical meaning and signal towards a possible sequel (do we need a?).

    While it left me with a vague sour taste, for the most part, I enjoyed “Ziam”. I really saw that a crook was a martial artist, who was kicking the daylight out of the corpse, and this new Netflix origin tells it, so I am happy to ignore its flaws.

    Meanwhile, thriller fans would be happy to hear that Netflix added a new mystery film about a couple trapped in his apartment by a strange brick wall. However, this is another streaming original for which audiences need to bear some major flaws to find pleasure.

    Alternatively, for even more options, here is a guide to new everything on Netflix in July 2025.

    Watch “Ziam” on Netflix Now

    More than Tom’s guide

    Do not miss streaming service

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