Brick This week Netflix has creeped Top 10, cement itself on #3, but unfortunately, the new German thriller film has been a real lethargy. At the time of writing, it has a very low rotten tomato score of 35%.
I was also allowed down Brick When it came to one of the best streaming services, despite being very excited by it when I first saw the trailer, as I was scrolling through my Netflix Library.
A story about an apartment building that gets surrounded by a mysterious wall, seems to have no escape, looking great. Sadly, I realized that especially disappointed to the end.
But when I would not recommend this one, there is a much better science-fi thriller that I think you should see instead.
Leave the brick, see i am mother
Straight, I am mother Given the rotten tomato score of 89%, feels like a better film. Is much more than BrickLess 35% score. But you need more than this.
Well, I liked this film absolutely. It follows a human girl who lives in a post-epoclic bunker, where she is picked up by a robot that helps in the Earth’s recurrence. The robot is only known as the mother, and humans are known as daughter; An interesting option, as it reduces them to their title and makes it feel very clinical.
The daughter gets her entire education from her mother, and is said to not leave the bunker because it is contaminated outside. This reminds me of my favorite science-fi show SiloWhich you can see on Apple TV+, because I am fascinated that societies cannot have any knowledge of the outside world.
Above all, it presents a lot of moral questions around technology and its advancement, and it checks what can happen if there was an extinct event. Whereas in places far and wide, of course, I was a very thought-making film that would have you to think for a long time after a credit role.
Clara Ragard, Rose Burn, and Hillary Swank have been performed very rarely here, but these three actors have dropped it out of the park and made something that is actually holding from beginning to end.
Therefore, instead BrickI highly recommend this lowly Australian film, which sticks to landing and then something. I can’t wait to resume it again.
