As an audio editor of Tom’s guide, I spend a lot of time to test the headphone. However, because I spend so much time to insert the latest and greatest audio gear through my pace, I can’t use the same track again and again – it will be boring.
I have already told you about the five tracks that I use the most to use how the most using an audio device seems, but I thought you want to know other tracks that I like to use to test the headphone.
Without further stir, there are five more pieces of music here when I like to use the best headphone.
Ghost – Jesus he knows me
Ghost cover is well known to be a generous mix of old pop music, ABBA and little -known Swedish Rock Gathagit. This cover is of genesis’ carrying commercial campaigners – and it is amazing. It makes the surdonic criticism from fickle orchestrally produced by joyful, and impeccable.
It is a large, growing track that is fixed for the stage, but is bound by streaming services to its portable audio device. This is a great way to test low-end earbuds and headphones, in which pulsed bass and kick drums are as powerful as possible.
I have struggled to keep some devices with the operative vocals of Tobias Forge, which is actually struggling with high notes in the chorus. Cymbals require chirping, and the guitar is easily separated from bass notes. When it feels good, it sounds epic, but it is a track that can actually travel to a less impressive compartment.
Björk – Hunter
I don’t think the Icelandic queen of avant-garde pop music really needs any introduction, and I will stake my 1997 album opener Identical Is not either. Strange and unstable in equal parts, “Hunter” was written about the pressure felt to write new music. The result is persecuted and is multi -level.
This is that the layer which makes such a good track to use to test the headphones and speakers. I want to make sure that the device can remove each element of moving synthes lines. I do not want them to join with synthesized drum beats or strange, jumping bass.
The tone of the BJP needs to be clear and brief. As the track makes and becomes even more leveled, I want to make sure that I can hear every stroke of the violin, and the Akardian needs to be cut via cacophone.
In gates – suicidal nation
Invented an entire metal sub-style in gates Soul slaughterAnd the middle-album is a case in heavy hitter “suicide nation” and its gallop distorted guitar and machine-gun druming point. It is heavier than a neutron star, which is faster rapid, and time for perfection.
There is a lot for a pair of headphones or earbuds. I want to make sure that do not mix in a single mass of bass drum and bass guitar noise, stay separate and separately.
The perverted guitar requires chunky but faster, and the hi-hats and cymbals of the drums require great clarity. The screaming tone requires space to breathe, and everything needs to be separated enough that it does not form a noise wall.
Good headphones bring out the heavy and make me headbanging like a little more, while the bad options can make the track unbearablely monotone.
Casiopea – Midnight Rendezavas
Jazz is an excellent litmus test for good headphones. Casiopea immediately attractive Jazz fusion Particularly fit for functioning, taking the virtuous, it turns to the mike and receives the center phase with its equipment.
A lot is going on in “Midnight Rendezavas”. I want the funky bass line sing and bounce, be clear and brief to the guitar. The orchestral hooks that indicates a new single artist, which replaces the smooth and dynamic, changing volume without any problem.
Some headphones struggle with clarity of the mixture, flicker bass struggling with the exact baseline with signature – somehow, there is a lot of opportunity to show what a set of cans can do.
Gunship – Monster in Paradise
Gunship is the weight of fun – it is the eighties decade that I think it existence, but never done. The “Monster in Paradise” is the band on their most sleeves, which are below cyberpank music videos, slicking saxophone solo and sick sweet guitar Solo.
It is not the most difficult track to play well, but there are some major areas for which I look out. Vocals need to be clarified, standing between the sinks and the drums. These are those synthesis that present the most challenges, though.
The song is great to ensure that a pair of headphones is good for mid-range presentation. Synthes lines should be at the forefront of the track, no other elements should give way. But they need to separate well, everything left enough space to work. This is a difficult balance act – and one that only the best headphone will know how to handle.
