Greenpoints of Brooklyn have a new type of “luxury” colleague located between a primary school and a public library in the neighborhood.
The chat House was dubbed, this place has many elements that you will find in a traditional colleague office: People are going away on their computer keyboard, another person is taking a phone call, someone else is stopping to take coffee by your computer.
However, there is a significant difference: Chat hos is a colleague location for AI chatbots, and everything – including people – is excluded from the cardboard.
More especially, the chat is an art exhibition by Hus Brucklin Artist Nim ben-uuvenIt is a handful of cardboard robots working on your computer through movements controlled by small motors. There is an indication that provides a desk space for “$ 1,999 per month and another that labeled the space as” a luxury co-functioning location for chatbots “.
Ben-Ruvenuwen told Techcrunch that he created the performance as a way to cope with a way and bring humor to the fact that most of his work-which are focused on large-scale graphic design and videography around-are being pushed into the AI world. He said that he is already denying freelance jobs as companies change instead of AI tools.
“It was like an expression of desperation in humor, so I would not be very bitter about the industry very quickly and to change under my nose and don’t want to be a part of the shift,” Ben-Uuven said. “So I was so, I would just fight something foolish that I can laugh at myself.”
He said that he too wanted to stop this performance from being negative because he did not think it would tell the right message. He said that making art that is negatively negative, turns it into a corner and needs to be defended itself. He said that it also helps to prepare it in audiences of all ages and with all opinions on AI, giving “lighter tone” to the performance.
While Ben-Ruven and I were chatting in pan pan veino Vino, a cafe located across the road from the window performance, many groups of people stopped to watch the chat. Three millennium-age women stopped and took pictures. A group of school-out-school primary-class students stopped and asked their adult colleagues questions.
Ben-Ruvene also wondered what AI is doing for that industry, yet the situation remains lighter than some other horrors and trauma going on in the world today.
“I mean, AI, in the context of the creative world, feels like this kind of light, such as war, things that are happening in the world and like terror and trauma,” he said.
Ben-Ruvene has always used cardboard in his art. He made a lifetime of an airport terminal out of the cardboard at Grad School. Between freelance jobs in the last decade, they have worked on the manufacture of these cardboard robots, or “cardboard babies” because they call them. So there was a natural option to perform when using these cardboard robots – he jokingly said that they also needed a reason to get them out of their apartments – the content is also providing another comment on AI.
He said, “The inequality of this cardboard goods, and the ability to collapse only under a slight weight, how I think AI is interacting with creative industries,” he said. “People can create their midjourney images that actually look great on Instagram and stimulates 12 -year -olds without any end, but with any level of investigation, it’s garbage, and I think you look close to these cardboard things, they collapse easily and easily fall under any weight.”
He understands why consumers are designed for some AI-borne art, though. He compared it to junk food and fast-acting serotonin hits, which comes from eating junk food before digested quickly.
Chat hos is a temporary performance that is in the form of a building that waits homes that allow to be approved for renewal. Ben-Ruvene is expected to maintain the performance by at least May and is expected to go to a large gallery if he can do it. He wants to be able to add more to it – but is worried about where he will put an additional material in his apartment after the performance is over.
“I just thought that it would be fun to express this idea, eg, a kind of cute, a kind of scary, baby robot that indicates some warehouses in some warehouses due to our slapping, working like lightning as Switzerland in a year as Switzerland,” said “Ben-Ruven.”
The chat hos is currently displayed in the front window of 121 Norman Avenue in the Greenpoint neighborhood of Brooklyn, New York.
