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    Home»AI/ML»What happens when an AI-borne artist gets a record deal? A copyright mess
    AI/ML

    What happens when an AI-borne artist gets a record deal? A copyright mess

    PineapplesUpdateBy PineapplesUpdateSeptember 26, 2025No Comments6 Mins Read
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    What happens when an AI-borne artist gets a record deal? A copyright mess
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    Two weeks ago, the record company Hallwood Media signed a deal with Telisha “Nikki” Jones after the talks, which reportedly included a $ 3 million proposal, Board InformedJones R&B is a Mississippi-based lyricist behind the artist “Zania Monet” Listen 1 millionAnd whose reel regularly top 100,000 Thoughts on Instagram -Despite its equality, vowel and music, AI is being made.

    Speaking with many copyright experts Ruckus It has become quite clear: the law is not at all, but usually no one can copyright AI-acts without human intervention, but you may be able to secure copyright where there are man-made expressive elements, which are songs in this case. So, what is really hallwood media buying? What license can they give? What does it mean to the future of music as a sellable product? The more questions we asked, the more it became clear that we are facing a cultural change in view of the flood of AI-related materials. The law is just trying to maintain.

    Although the final payment amount for the record deal is not clear, it seems quite clear-but not clearly labeled-that the incarnation of Monet on the Instagram and album cover is AI-Janit. If you watch her video closely, you can sometimes see her fingers together.

    “Okay, why am I paying you for this, if you have no claim in copyright?”

    On the other hand, the music of Monet is some inactive, the possibility that large amounts of material AI model was trained. Jones inspired music with AI Music generator Santo, one of the two popular AI music generators currently being prosecuted by a trio of major record labels on alleged “N Masss” copyright violations. In response to 2024 trial, against it, Sano Accepted to file in court To train your model to use the music found on the entire Internet.

    Jones’s manager Romel Murphy claims that other record companies got away from Jones, after knowing that Suno was used to make songs. Asked about the possibility of copyright violation, Jones Manager, Murphy directed his lawyer to question, who rejected RuckusRequest for comment.

    Hallwood media seems to have put itself in a suspicious position. While a record deal means that Monet is potentially a penny-making product, current copyright protection only covers manufactured manufactured expressive elements only, which, as far as we know, are only human-written songs of Jones. If there are no man-made expressive elements, then the copyrightness of the rest of the music and full sound recording, including the vocals-is not subject to the copyright if fully originated by the sun.

    Lack of copyright protection does not prevent anyone from selling his art or music, Kevin Madigan, told SVP of policy and government affairs in Copyright Alliance RuckusThey may not have any way to apply copyright claims if one rips the music and for example, uses it in a commercial.

    A lover buyer who knows about the copyright law will question why they can buy something when they can get it for free, Madigan said, “Okay, why am I paying you for it, if you don’t have any claim in copyright?”

    On Monet’s Apple Music Profile, Monet is credited with vocals and engineering and production, while Jones are credited as a lyricist. (Apple Music and Spotify did not respond to the requests for comments.) But not credits are disposable by themselves – to implement someone’s rights through litigation, it is often copyright registration which is important. No copyright registration on the online database of the US Copyright Office is yet to be seen under the name of “Telisha Jones” or “Zania Monet”.

    US Copyright Office Repeated public affairs expert Nora Sheld Ruckus Only human writer can be given copyright protection. In the case of A-assisted work, only man-made elements can be registered for copyright protection, and as of today, more than a thousand functions have been partially copyright in this way. The office does not comment on specific copyright claims or matters, but accordingly Latest guidance Released in January, indicating the AI ​​system does not give the author of human user output. Copyright Alliance CEO Keith Kufarshmid told Ruckus As much as: “If a human did, it is preserved, if an AI did so, it is not. I mean, this is the last line.”

    We are in the era of “unresolved” law about copyright protection.

    In the case of Monet, music Is It is believed that the output from the AI ​​system, which, if true, means that music will not be preserved copyright. He leaves the song. Record companies usually sign the lyricist contracts. Murphy instructed Hallwood Media to questions about contract details, which was not answered RuckusMany requests for comments.

    Similarly, Murphy did not specify whether Jones had sung any singing before using the Suno Template, which to make songs with his songs “you put on your voice”. Murphy argues that AI is another tool available for musicians, such as Autotune: “She is using AI as a tool, which was to be used to use it.”

    But Autotune and AI are a “spontaneous comparison”, George Howard, Professor of Music Business and Management at Barkli College of Music. RuckusThe autotune is similar to simple reverb, he said. The important concern around the AI ​​Music Generator is that the AI ​​model is used to make the model within platforms like Suno, said Howard.

    We are in the era of “unresolved” law about copyright protection, said Howard. The Congress is taking information about the concerns of copyright holders about the AI ​​model who are completing their work. In July, Senator Peter Welch A bill introduced To allow copyright holders to access the AI ​​model training records to see if their work is being used.

    Howard said, “There are efforts in hand, but you always have to remember that the law lags behind in culture.” “As the technology proceeds faster than adjusting the law, such a gap between settled law and technology, and this is where we are now.”

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